heliumfilledpuppies:

“Natalia”

Numéro, Issue 43, May 2003

Photographers: René Habermacher and Jannis Tsipoulanis

Stylist: Capucine Safyurtlu

Model: Natalia Vodianova

Included is the corresponding cover for the issue.

from hiraizm
*ShINC.MAGAZINE/Vol. 0 /特集『本日の浮遊』by 林ナツミ

shincmagazine:

特集『本日の浮遊』by 林ナツミ

from shincmagazine

gekkanjin:

月刊「人」から高橋恭司の新作写真集のお知らせです。 写真集「艶身(いろか)」写真・高橋恭司 文・袁中郎 A6版  中綴じ24ページ オフセット、全頁4色印刷 カバーグロスPP加工 価格=1冊:1200円+送料 100部 刷り上がりました。 今回は明の詩人、袁中郎の詩を一編掲載しています。 通信販売ご希望のかたは、gekkanjin@gmail.com まで 写真集「艶身(いろか)」希望冊数と お名前、ご連絡先をご記入ください。 追って詳細を返信いたします。 恵比寿のリムアート 神宮前のShelf 渋谷の東塔堂 恵比寿のNADiff a/p/a/r/t と NADiff X10 上記各店舗でも取り扱つかっています。 どうぞ、お出かけください。

from gekkanjin

gekkanjin:

「ガードレールには」写真=高橋恭司

from gekkanjin
rerylikes:

Harry Callahan, Untitled, 1950
(more Harry Callahan)

rerylikes:

Harry Callahan, Untitled, 1950

(more Harry Callahan)

from arsvitaest

gekkanjin:

写真家・高橋恭司のマネージメントを MILD inc. が行うことになりました。

詳細はこちらから→MILD inc.

from gekkanjin

gekkanjin:

写真家・高橋恭司のマネージメントを MILD inc. が行うことになりました。

詳細はこちらから→MILD inc.

from gekkanjin

skeptical-enthusiast:

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The Shape of Shutdown in National Parks

In late March, I visited a deserted and crumbling Atwood-Higgins House on the Cape Cod National Seashore. It was an unexpected and eerie glimpse into what a shutdown could look like for historic landmarks in National Parks.

While the door to the home swung open to invite animals and squatters, the interior was not overtly damaged by long-term exposure to wind, sand, rain and snow. Instead, the site appeared to have been hastily abandoned for the season. Strewn on the floor were the only loose objects in the house: a first aid kit, one flashlight without batteries, some photocopies of National Parks brochures and architectural elevations.

The 1730 Cape Cod-style house and farmstead is one of the oldest in the region. Located in a remote area of Bound Brook Island in Wellfleet, MA, the site has been in the hands of the National Park Service since 1961 when it was donated by George Higgins, a seventh generation descendent of the original owner. Upon returning from World War I,  Higgins, an amateur historian, restored his family’s home and developed the site into a mock 18th century farm (ala Colonial Williamsburg) complete with a country store.

Surrounding barns, outhouses and guest houses on the site were under padlock and appeared to be melting into their foundations. Several carried signs warned of unstable foundations and DANGER. Not unlike the chilling appeal of disaster-porn, the house carried all the visual signals of crumbling infrastructure, shifting interests and the slow creep of entropy.

from skeptical-enthusiast
pho:

5.jpg
from pho
pho:

4.jpg
from pho